conversation with mani ratnam book

So I was ready to go in and see if I could convert Unaru into something I would like. I would fight with them all night long about some scenes that I really hated. Before I shifted jobs, I thought I would take a small break for three months—a kind of sabbatical—to see what it would be like to be part of a shoot. There was this friend of ours who was working on the film—on the sound, I think; so we had that access, and when they were not shooting, we went to see the set. Something went wrong.

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