renace de tus cenizas pdf

Since most late sixteenth-century Spanish theory is neo-Aristotelian, my account has, if anything followed the same direction. Both the high status of Petrarch and the dangers implied in such an evaluation emerge from one of the decisive documents of the Italian Renaissance, the Prose dell volgar lingua of Bembo, published in This poetry in its turn goes back to the work of the Provencal troubadours, and presents a peculiarly concentrated version of what has come to be known as 'courtly love'. All that the poet's own voice needs to do, in fact, is to pick out the series of empty gestures which concludes the poem; the real evaluation has already taken place, and the quality of the soldier's wonder has brought out, as no direct statement could, the hollowness of an entire ethos. In the seventeenth century, as we shall see, this notion of 'correspondences' becomes a key factor in discussions of poetic wit.

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