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lagu ricketsia dirimu bukan untuk diriku

lagu ricketsia dirimu bukan untuk diriku

Building on the large body of Western academic writing on romance narratives and popular culture for girls Radway , McRobbie , Ang , Driscoll original ethnographic interviews with shojo manga readers are linked to close readings of major works by three key artists whose manga are marketed to female readers in Japan Yoshida Akimi, Haruno Nanae, and Okazaki Kyoko. Before this period, children had stopped reading manga after elementary school. Simple humor strips for girls had existed since at least the second decade of the Twentieth Century. At first, manga were a simple combination of picture, word, and frame that told a simple story. Most shojo manga in the s and s were created by male mangaka.

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