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Instead, it acts as further proof that Difford and Tilbrook could write and play almost anything at this point: they perfected their barbed, bouncy pop -- best heard on the single "Is That Love," but also "Someone Else's Heart" and terrific, percolating "Piccadilly" -- but they also slowed down to a hazy crawl on "There's No Tomorrow," turned intimate and sensitive on the jangly "Woman's World," and crafted the remarkably fragile, Baroque "Vanity Fair. Reactions: calypsocat , Myek , joseG86 and 49 others. Chee , Mar 11, Moreover, her personality was too intense and too idiosyncratic for the banality of the pop industry, even though her music demonstrably had popular appeal. For me, I don't necessarily care one way other the other if it's a dynamic or if its a planar.

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