Karadayı
| Actor | Characters | About |
|---|
| Kenan İmirzalıoğlu | Mahir Kara (Karadayı) | Nazif Kara's son from Kader Altun, who always valiantly struggles against injustice. Works as a fake trainee lawyer under the name Salih Ipek to rescue his father from being hanged. Falls in love with Feride and ends up marrying her. Father of Nazım Deniz. |
| Bergüzar Korel | Feride Şadoğlu | Judge at the Istanbul courthouse, who is in charge of Nazif Kara's case. Mehmet Saim and Kerime's daughter. Falls in love with Mahir without knowing that he's the son of Nazif Kara. Mother of Nazım Deniz. |
| Çetin Tekindor | Nazif Kara (Kibar) | Father of the Kara family, who has been framed and falsely convicted of murdering Chief Prosecutor Süleyman Yılmaz. He owns a shoe shop and wants Mahir and Orhan to stay away from the mafia world. |
| Yurdaer Okur | Turgut Akın (Yaver) | Prosecutor of the Istanbul courthouse, who is one of the heads of the smuggling mafia. He has a long time crush on Feride. Real murderer of Chief Prosecutor Süleyman Yılmaz. He was thought to be dead after Necdet strangled him, however he was rescued by Serdar and came back for revenge with a fake identity under the name Korkut Ölmez. Sentenced to death by the law and hanged. |
| Erkan Avcı | Necdet Güney (Barut) | Part of the smuggling mafia who owns the Yeditepe casino. Ayten's husband and Osman's older brother. Works for Turgut and Mehmet Saim. He used to be a part of Dalyan Rıza's gang, however he betrayed him and attacked the new market. Has a daughter from Süeda named Zeynep. Sentenced to lifetime imprisonment. |
| Melike İpek Yalova | Ayten Alev | Mahir's ex-fiancé. Necdet's wife. Singer of Turkish pop music. She raises Necdet's daughter Zeynep, while he is in prison. |
| Rıza Kocaoğlu | Yasin Ulutaş (Kibrit) | Mahir's friend, who is the commissioner of Istanbul's police. Falls in love with Songül. Ends up marrying Suna after Songül falls in love with Osman. |
| Atsız Karaduman | Dalyan Rıza | Nazif Kara's best friend, who is one of the heads of the Istanbul mafia. Killed by Turgut's men while trying to protect Orhan. |
| Erhan Yazıcıoğlu | Mehmet Saim Şadoğlu (Beyefendi) | Feride's father, who is a powerful minister. He secretly heads a smuggling mafia under the alias "Beyefendi" and wants Feride to stay away from Mahir. He kills Mahir's stepmother and nephew in order to prevent his marriage with Feride. Killed by Turgut. |
| Fatih Al | Sosyete Yusuf | Gentleman of high society who is one of the heads of the Istanbul mafia. He owns several nightclubs and works for Mehmet Saim. Has a crush on Ayten and establishes her as a famous singer in Turkey. Killed by Mehmet Saim. |
| Funda Eryiğit | Belgin Türe | Smart woman who is one of the heads of Istanbul mafia and owns a beauty salon. Falls In love with Mahir. Her face was severely injured after Murat threw acid in her face. She commits suicide in prison after being sentenced to death. |
| Uğur Aslan | İsmail Gün (Seyis) | Ranch owner and stableman who is one of the heads of the Istanbul mafia. Falls in love with İlknur and marries her, however they divorce after İlknur learns he played a role in his son's death. Has a daughter from İlknur named Safiye. Sentenced to prison. |
| Hüseyin Soyaslan | Kütük Nail | One of the heads of the Istanbul mafia who owns a wood shop. He smuggles liquor and sells it to Istanbul nightclubs. His fingers were cut by Mahir after he kidnapped his father. Killed by Sosyete Yusuf. |
| Sermet Yeşil | Sarı Cemal | One of the heads of the Istanbul mafia who owns a brothel. Killed by Seyit Durak at Sosyete Yusuf's order. |
| Civan Canova | Çetin Hünkaroğlu (Cağaloğlu) | One of the heads of the smuggling mafia and Mehmet Saim's partner. He owns the Yurttaş newspaper agency. Escapes from Turkey after being exposed to the police by Mehmet Saim. Leaves his son Sinan in charge to take his revenge. |
| Nihat Altınkaya | Sinan Koca | Cetin's son, who runs the Yurttaş newspaper agency. Part of the smuggling mafia. Wants to marry Feride in order to take revenge from Mehmet Saim. Killed by Necdet at Mehmet Saim's order. |
| Ulaş Tuna Astepe | Orhan Kara | Mahir's half brother. Nazif and Safiye's son. Sentenced to prison after shooting Yasin. He becomes Seyis's right-hand man after being released from prison. Later reconciles with Mahir and becomes his right-hand man. Falls in love with Zehra and ends up marrying her. |
| Leyla Lydia Tuğutlu | Songül Kara | Mahir's half sister. Nazif and Safiye's daughter. Studies law at the university. First falls in love with Yasin, but later falls in love with Osman and ends up marrying him. |
| Elif Sönmez | İlknur Kara | Mahir's step sister. Safiye's daughter from her first marriage. Mother of Nazif Tiryaki and Safiye Gün. She was formerly married to Bülent. She falls in love with İsmail and marries him, however they later divorce. Ends up marrying Erdal. |
| Şebnem Dilligil | Safiye Kara | Nazif Kara's wife. Mahir's stepmother and mother of İlknur, Orhan, and Songül. Killed by Seyit Durak at Mehmet Saim's order. |
| Ataberk Mutlu | Nazif Tiryaki | Mahir's nephew. Son of İlknur & Bülent. He loves his grandfather Nazif and wants to be brave like his Uncle Mahir. Killed by Seyit Durak at Mehmet Saim's order. |
| Deniz Şen Hamzaoğlu | Bülent Tiryaki | Father of little Nazif and İlknur's ex-husband. He later becomes a part of Mahir's gang. |
| Cenan Çamyurdu | Erdal Engin | Lawyer of the Kara family, who ends up marrying İlknur. |
| Emir Çubukçu | Osman Güney | Necdet's brother, who falls in love with Songül and ends up marrying her. He first works as an apprentice in Nazif Kara's shoe shop and studies law at the university, but later becomes part of Mahir's gang and his close follower. He returns to the university and after finishing his studies, becomes a judge. |
| Lila Gürmen | Kerime Şadoğlu | Mehmet Saim's wife. Feride, Melih, and Cihan's mother. She is supportive of Feride's relationship with Mahir. She learns about Mehmet Saim's involvement in the murder of Safiye and little Nazif, but keeps silent to protect her illegitimate son's life. Killed by Mehmet Saim. |
| Olgun Toker | Melih Şadoğlu | Feride's brother. Mehmet Saim and Kerime's son. Journalist who works for the Yurttaş newspaper agency. He commits suicide after leaking Mahir and Feride's relationship under Turgut's blackmailing threats and causing Feride to lose Nazif Kara's case. |
| İlkin Tüfekçi | Bahar Dündar (Çitlembik) | Feride's secretary in the courthouse. Mahir & Feride's close friend. Killed by Seyit Durak at Turgut's order. |
| Aslı Orcan | Serra Aşık | Clerk in the Istanbul courthosuse, who has an extramarital affair with Turgut and then marries him. She was part of Turgut's plan in framing Nazif Kara for the murder of Chief Prosecutor Süleyman Yılmaz. Killed by Turgut in a staged car accident. |
| Irem Kayhaoglu | Suna Demir | Feride's secretary at the Istanbul courthouse and her best friend. Initially worked as a secret agent for the Supreme Court and caused Feride to lose Nazif Kara's case, but later reconciled with her. Falls in love with Yasin and ends up marrying Yasin. |
| Reha Özcan | Vehbi Duru | Istanbul's police chief who has an extramarital affair with Belgin. Killed by Seyit Durak at Mehmet Saim's order. |
| Cemil Büyükdöğerli | Hilmi Sucu (Boksör) | Former boxer who is part of the Istanbul mafia. He kidnaps children and uses them to make money. Sentenced to prison. |
| Şafak Karali | Selim Durmazel | Head of the Internal Affairs police and Mehmet Saim's undersecretary. Appointed as Istanbul's police chief after Vehbi's death. Killed By Belgin. |
| Kerem Firtina | Adnan Tok | Prosecutor at the Istanbul courthouse. Works for Mehmet Saim. He tries to frame and prosecute Mahir for multiple crimes. Sentenced to prison. |
| Mehmet Bozdoğan | Berdan Kiliç (Yılan) | Part of the smuggling mafia, who works for Turgut. He owns a brothel and kills his enemies with snakes. Wants to marry Nilay/Zehra. Killed by Belgin. |
| Başay Okay | Süreyya | Madam who runs Yılan Berdan and Sarı Cemal's brothels. She was fired by Sarı Cemal. |
| Perihan Erener | Zehra (Nilay) | Yılan Berdan's girlfriend from his brothel. Falls in love with Orhan and ends up marrying him. |
| Yıldız Kültür | Kader/Nihan Altun | Mahir's real mother. Süleyman Yılmaz's mistress. Killed by Turgut's men in a staged fire. |
| Kübra Balcan | Mahperi Yılmaz | Mahir's half sister. Daughter of Chief Prosecutor Süleyman Yılmaz. Killed by Turgut's men in a staged fire. |
| Aydan Taş | Aysel | Belgin's secretary and assistant in her beauty salon. Killed by Turgut's men accidentally instead of Belgin. |
| Sema Öztürk | Süeda | Singer at the Yeditepe casino who has an affair with Necdet. Has a daughter from Necdet named Zeynep. Killed by Necdet. |
| Asu Ezgi Taşkıranoğlu | Nurten Alev | Ayten's younger sister. She leaves Istanbul to go live with her relatives in a country village. |
| Kadir Çermik | Geveze Ahmet | Part of the smuggling mafia, who works for Turgut. He loves to gamble. Killed by Turgut. |
| Özgür Emre Yildirim | Murat | Belgin's childhood friend from the orphanage who is in love with her and carries out her dirty work. He throws acid in Belgin's face after Belgin betrayed him. Killed by Belgin. |
| Cem Uslu | Seyit Durak | Hitman, who works for Turgut and Sosyete Yusuf. He placed the bomb in Mahir's car which led to the death of Safiye and Nazif. Killed by Mahir. |
| Diren Polatoğulları | İbrahim Durak (Ibo) | Necdet's childhood friend. He was part of the attack on the new market. Killed by Necdet. |
| Erkan Pekbay | Cihan | Kerime's illegitimate son from her ex-boyfriend. Feride's half brother. He was secretly kept alive by Mehmet Saim and used by him to threaten Kerime. |
| Ayhan Bozkurt | Suat | Turgut's right-hand man who carries out all his dirty work. Commits suicide in court at Turgut's order. |
| Ercan Reşat Demir | Rıza | Sinan's right-hand man who later betrayed him. Works for Mehmet Saim. |
| Ozan Ağaç | İsmet Ertekin | Mahir's neighbor and loyal friend, who owns a bakery. |
| Murat Mastan | Kemal | Policeman. Yasin's close friend. |
| Erdoğan Bilen | Tahsin | One of Sarı Cemal's former men who later becomes a part of Mahir's gang. |
| Melih Çardak | Serdar | Prison guard, who takes bribes. He rescued Turgut's life after Necdet tried to strangle him. Killed by Turgut. |
| Oktay Gülbay | Süleyman Yılmaz | Chief Prosecutor of the Istanbul courthouse who was after the smuggling mafia. Nihan/Kader Altun's husband. Father of Mahperi. Killed by Turgut. |
| Serkan Altintas | Yalçın | Mahir's neighbor, who owns a shop in the new market. |
| Çağdaş Tekelioğlu | Azmi | Apprentice in Nazif Kara's shoe shop. |
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| Televizyon dizilerinde suç ve cezanın temsili: Karadayı dizisi / The representation of crime and punishment in television serials: The serial "Karadayı"
Yazar:EDA EVLİOĞLU
Danışman: PROF. DR. HASAN AKBULUT
Yer Bilgisi: İstanbul Üniversitesi / Sosyal Bilimler Enstitüsü / Radyo Televizyon ve Sinema Ana Bilim Dalı
Konu:Radyo-Televizyon = Radio and Television
Dizin:Ceza = Punishment ; Görsel-işitsel medya = Visual-auditory media ; Suç = Crime ; Televizyon dizileri = Television serials ; Temsil = Representation ; Türk sineması = Turkish cinema ; Yerli diziler = Television series | Onaylandı
Yüksek Lisans
Türkçe
s. | Suç, ceza, adalet, hukuk ve hukuk sistemi gibi kavramların televizyon ve sinema metinlerindeki temsilleri, izleyicilerin bu olgulara yönelik düşünce biçimlerini yeniden inşa etmektedir. Görsel metinlerde bu olguların olumlu şekilde, toplumun düzeni ve devamı için gerekli olarak temsil edilmesi, izleyici nazarında bu kurumları değerli, önemli kılarken olumsuz şekilde, güçlüyü koruyan ve güçlüden yana olarak temsil edilmesi ise, izleyicilerin bu kurumlara olan güveninin ve inancının zedelenmesine yol açar. Televizyon dizilerinde suç ve cezanın temsilinin incelendiği bu tezde de üç sezon yayınlanan ve bölümden oluşan, 'ler Türkiye'sinde adalet, emniyet, kabadayılık/mafya, medya ilişkileri çerçevesinde yaşanan yasadışı olayların, resmi kurumlar tarafından, yaşandığından daha farklı, saptırılarak aksettirilmesini konu edinen Karadayı dizisi analiz edilmiştir. Karadayı'da, adalet ve emniyet kurumları ve bu kurumların işleyiş biçimlerinin temsilinin, günümüzde suç ve cezaya ilişkin toplumun algısını biçimlendirmede rolü olduğu gerçeğinden hareket edilerek, dizi, suç ve cezanın temsili açısından irdelenmiş; dizide suç, ceza ve adalet ilişkisinin nasıl temsil edildiği ortaya koyulmuştur. Niteliksel içerik analizi yöntemi kullanılarak metin çözümlemesinin yapıldığı tezde Hall'ün "yansıtmacı, maksatlı, inşacı" temsil ayrımı; Althusser'in "devletin ideolojik ve baskı aygıtları" kavrayışı; Barthes'ın "anlatının temelini oluşturan beş anlam sistemi" yaklaşımı temelinde temsil, ideoloji, gerçeklik, suç ve ceza kavramları tartışılmış ve medyanın, Karadayı dizisi özelinde televizyon metinlerinin anlam inşa etmedeki ideolojik rolü, işlevi incelenmiştir. Bu inceleme sonucunda, dizide suç olarak sayılan eylemlerin yasalarla belirlendiği, yapılması halinde suçun derecesine göre cezalandırıldığı tespit edilmiştir. Ayrıca Karadayı bağlamında adalet, hak, hukuk kavramlarının karanlıkta kaldığı, hukukun haklıyı değil güçlüyü koruduğu sürekli vurgulanmıştır. Buna rağmen ana karakterin, yani Mahir'in hukuk sistemine güvenmesi ve adaletin er ya da geç tecelli edeceğine olan inancı, hâkim ideolojinin tekrar üretildiğini göstermektedir. Böylece televizyon dizilerinin, heterojen, çeşitli ve parçalı olan gerçekliklerden belirli seçimler yapıp, onları belirli bir doğrultuda bir araya getirerek anlamı sabitlediği, izleyici için yeğlenen okumayı kodladığı sonucuna ulaşılmıştır. | The representation of concepts such as crime, punishment, law and judicial system in TV and cinema texts restructures the way of thinking of the audience towards these phenomena. In visual texts, while positive representation of these phenomena necessary for social order and continuation of the society make these foundations valuable and important in the viewers' eyes, negative representation of them protecting the strong and in favor of powerful cause the audience to lose their confidence and faith in these institutions. In this thesis which examines the representation of crime and punishment in TV serials the Turkish drama serial Karadayı, which is aired during 3 seasons with episodes and which has the story line basically covering the illegal relations between justice system, police, bullying/mafia and media, and their deviant reflections by official institutions in s Turkey, is analyzed. Departing from the fact that in the drama serial Karadayı, justice and security agencies and the representation of the manner of operation of these institutions has the role of formatting todays' society's perception of crime and punishment, the drama Karadayı is examined in terms of representation of crime and punishment; it is put forward that how the relation between crime, punishment and justice are represented in the drama. In the thesis, using qualitative content analysis method the textual analysis is made, the concept of representation, ideology, reality, crime and punishment is discussed on the grounds of which 'Reflective, Intentional, and Constructive Theories of Representation' by Hall; 'Ideological State Apparatus and Repressive State Apparatus' comprehension of Althusser; Roland Barthes's approach to 'Five Codes Which are Woven into any Narrative' and in constructing the meaning it is examined the ideological role, function of the media, of the television text particularly of the drama serial Karadayı. In the result of this analysis, it is determined in the drama that practices accepted as criminal acts are identified by law and if done they are punished according to the seriousness of the offence. More than that in the context of the drama Karadayı it is perpetually emphasized that the concept of justice, right, law are remained in the darkness, judicial system protects not rightful but powerful one. Even though Mahir the protagonist's faith in judicial system and in sooner or later, God's justice manifests itself indicates that the dominant ideology is reproduced. Thus, it has been concluded that the television serials fix the meaning and encode the preferred reading for the audience as a means of making certain choices from heterogeneous, diverse, and fragmented reality, of bringing them together in a certain direction. | 
