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There were many self-imposed rules he adhered to during this time. Since the Sheffield-based producer has carved a steadfast reputation with an ascetic production technique augmenting the dread torque and atmospheres of early DMZ dubs with the velocity of classic Grime and Bleep Techno, and the haughty rudeness of early New York House, minting a distinct new sound which sent shockwaves thru the scene thanks to his now-legendary showcase mix for Keysound. The recording and engineering was primarily a solo venture, with some technical assistance from John Hannon on a few tracks. All Good Things The raw materials have been extensively processed and re-constructed using analogue tape and digital methods.

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