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Vinge cites two of them:. A critique of the subject-tradition with regards to its conception of the subject as solitary and monological began to gather momentum from the s onwards in the works of dialogical thinkers such as Martin Buber, Mikhail Bakhtin and Emmanuel Levinas. The conflict between a hermeneutic conception of intertextuality, which insists upon the semantic integrity of the work, and a post-structuralist conception of intertextuality, which asserts the decentering of the work in the limitless semiosis of the general text — as outlined by for example Karlheinz Stierle — thus becomes a conflict which is settled by markers in the individual text. Vom Umgang mit Untreue. Because the work of art is a crystal — partial paradise in which the Idea flourishes anew in its superior purity; in which, as in vanished Eden, the natural and necessary order has arranged all forms within a reciprocal and symmetrical dependence, in which the pride of the word does not supplant the thought — in which the sure and rhythmic phrases, still symbols, but pure symbols, in which words make themselves transparent and revealing.

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