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This queerness is intriguing when we consider that, in all three films, the central female characters were dressed by top couturiers Fath, Carven and Heim all of whom were committed to redress the over-masculinised fashion of the war years by introducing a style of opulence that would refeminise women starting with Dior and his New Look of Palgrave Macmillan. Inside the hut The interior is a dim space enclosed by wooden boards and a low ceiling. Please enable browser cookies to use this feature. Many critics have seen noir as narrowly space- and time-bound, as a literary and cinematic phenomenon belonging to the American s through the s.

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