As discussed in this thesis, composers and filmmakers who sought to innovate in the ways in which music and sound were used in films took advantage of these three phenomena to create tension, highlight specific images, actions or objects, and enhance the position of certain characters. Thus, his efforts focused on supporting comical situations using the conventions frequently employed in Hollywood. The press coverage during the whole period studied in this thesis barely mentions aspects related to non-diegetic scoring. Lisa Jarvinen analyses this approach to production and states that between and over films were made directly by Hollywood studios in Spanish , 8. Transhumance in the Alps.
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