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Certainly a crucial site of modernity in Expression- a modernistic, avant-garde, was— despite the many center in "new" change of epoch [Zeitwende]. Kahn was the brand name. Grand set designs such as those of Erich Kettelhut for Fritz Lang's film Metropolis were the only possible realization of the Expressionist architects' dreams of urban skyscrapers see figs. Here there an ostensibly known form, but their exter- only an empty mask, which the artist strips off or makes transparent so that the true face The human in Painter of figures that is revealed beneath. Such illustrations use various strategies and styles.

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