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Their appropriation of the published versions is enabled and facilitated by the living tradition of musical performance, which provides a framework into which performers can slot new texts, as long as these texts lie within the stylistic boundaries of the tradition in terms of their poetic form and structure. Adonay Yom Lekha Eerokh Tehina Cler, , s. Another critique on the part of Ayas is that nearly all the studies about Arabesk Music are based on sociological and political analyses. Bu makalede,

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